简介：随便写点校园奇葩故事

简介：随便写点校园奇葩故事

THE MOST HATED WOMAN IN AMERICA The Sandman killings have been solved. Daniel Miller murdered fourteen people before he vanished. His wife, Carrie, now faces trial as his accomplice. The FBI, the District Attorney, the media and everyone in America believe she knew and helped cover up her husband's crimes. THE LAWYER Eddie Flynn won't take a case unless his client is innocent. ...(展开全部)

THE MOST HATED WOMAN IN AMERICA The Sandman killings have been solved. Daniel Miller murdered fourteen people before he vanished. His wife, Carrie, now faces trial as his accomplice. The FBI, the District Attorney, the media and everyone in America believe she knew and helped cover up her husband's crimes. THE LAWYER Eddie Flynn won't take a case unless his client is innocent. ...(展开全部)

Ruby Johnson is a nanny and maid to wealthy families in Manhattan's West 74th Street. She knows their routines. Their secrets. One night, on her way home, Ruby witnesses a neighbour's murder. She knows the victim. She knows the killer. She makes an anonymous call to the police and names the murderer. But Ruby didn't tell the truth... Because there's something wrong with Ruby Jo...(展开全部)

In the songs and bubble feeding of humpback whales; in young killer whales learning to knock a seal from an ice floe in the same way their mother does; and in the use of sea sponges by the dolphins of Shark Bay, Australia, to protect their beaks while foraging for fish, we find clear examples of the transmission of information among cetaceans. Just as human cultures pass on lan...(展开全部)

克利福德·格尔兹（Clifford Geertz,1926—2006），1926年生于美国加州，在俄亥俄州安蒂奥克学院学习文学和哲学，1950年在该校获哲学学士学位。之后进入哈佛大学，师从C.克拉克洪学习人类学并于1956年获得人类学博士学位。曾先后在芝加哥大学、斯坦福大学、麻省理工学院、普林斯顿高等研究院社会科学部等著名学府讲学或担任教职。 作为象征人类学和解释人类学的代表人物，格尔兹以其在印度尼西亚和摩洛哥的田野工作为基础，对宗教、文化等领域的研究影响巨大，著有：《爪哇宗教》（1960）、《被信奉的伊斯兰教》（1968）、《文化的解释》（1973）、《尼加拉：19世纪巴厘剧场国家》（1980）、《地方性知识》（1983）、《论著与生活》（1988），《追寻事实》（1995）等，并先后获得了美国社会学会索罗金奖、美国人文－自然科学院社会科学奖、日本...(展开全部)

This major work, now available in paperback, by one of the worlda s leading anthropologists discusses the style, imagery and metaphor of the great anthropologists, thereby developing Geertza s claim that doing good anthropology is like writing good literature.